Co-listening to Resounding Plurilogues
Presentation of a newly published book in the field of music and sounding arts by Indian born Europe based artist and scholar Prof. Budhaditya Chattopadhyay with contributions from some of the leading artists and practitioners of music and sounding arts working today within the context of the Global Souths discourses. This was one outcome of Chattopadhyay’s current research at University of Applied Sciences and Arts Northwestern Switzerland and the University of Bergen, keeping traces of long conversations with fellow artists as a Plurilogue, likely to be complemented with a scholarly publication in 2024/2025.
The book, titled Sound Practices in the Global South: Co-listening to Resounding Plurilogues, published by London’s Palgrave Macmillan in November 2022, develops a comprehensive understanding of the unique sound worlds of key regions in the Global Souths (e.g, South Asia, Africa, Latin Americas), through an auto-ethnographic method of self-reflective conversations with prominent sound practitioners from South Asia, Africa, the Middle East and Latin America. The conversations navigate various trajectories of sound practices, illuminating intricate sonic processes of listening, thinking through sounds, ideating, exposing, and performing with sound. This collection of conversations constitutes the main body of the book, including critical and scholarly commentaries on aural cultures, sound theory and production. The book builds a ground-up approach to nurturing knowledge about aural cultures and sonic aesthetics, moving beyond the Eurocentric focus of contemporary sound studies. Instead of understanding sound practices through consumption and entertainment, they are explored as complex cultural and aesthetic systems, working directly with the practitioners themselves, who largely contribute to the development of the sonic methodologies. Refocusing on the working methods of practitioners, the book reveals a tension between the West’s predominant colonial-consumerist cultures, and the collective desires of practitioners to resist colonial models of listening by expressing themselves in terms of their arts and craft, and their critical faculties.
Clarence Barlow, Sandeep Bhagwati, Rajesh K. Mehta, Sharif Sehnaoui, Ximena Alarcón Díaz, Hardi Kurda, Mario de Vega, Luka Mukhavele, Khyam Allami, Cedrik Fermont, Khaled Kaddal, David Velez, Juan Duarte, Youmna Saba, Abdellah M. Hassak, Mariana Marcassa, Amanda Gutiérrez, Syma Tariq, Alma Laprida, Siamak Anvari, Mohamad Safa, Debashis Sinha, Zouheir Atbane, Constanza Bizraelli, Jatin Vidyarthi, Joseph Kamaru, Surabhi Saraf, Isuru Kumarasinghe, Hemant Sreekumar.
You can get more info on the book on this link: https://link.springer.com/book/10.1007/978-3-030-99732-8